Vision
To create music that lasts.
Not just something that works in the moment, but something that stays with people long after the screen goes black, music that becomes inseparable from the story it was written for. I’m driven by the idea that a score can shape how a story is remembered, how it feels years later, and how deeply it connects.
My goal is to build a body of work defined by honesty, emotional precision, and restraint. I’m not interested in writing music that demands attention for its own sake, I want to write music that earns its place, that feels inevitable, and that elevates the story without ever pulling focus from it.
My Story
I’m a Sydney-based composer with a background in songwriting and music production, holding a Bachelor of Music specialising in those areas. I started by writing and producing my own music, which built a foundation in structure, melody, and emotional pacing, skills that naturally translated into screen scoring.
Over time, my focus shifted fully toward film and television. I’ve composed for festival-selected projects including Freebird (Tropfest shortlist) and They Loved Us the Most (Flickerfest selection), developing experience in narrative-driven scoring and working to professional production standards.
Alongside this, I’ve worked within a studio environment, contributing to commercial composition and sound design while handling the practical side of the job, client communication, delivery, and industry workflows.
I’m now focused on building a long-term career in screen composition, taking on projects that demand both musicality and a strong understanding of story.
Contact
I'm always looking for my next opportunity.
Let's talk.